Heroine Week, Day 5 – Katsa, Fire and Bitterblue: Feminism in Kristin Cashore’s YA Trilogy

To anyone familiar with the Graceling books, this post will feel like nothing new, because I’m sure there’s been a lot of discussion surrounding them. But when I think of heroines, these three characters immediately come to mind, and I thought that a celebration of female characters would be a fitting place to talk about the themes and messages of their stories.

In Graceling we meet Katsa. A girl in the cusp of womanhood who’s been trapped by her powerful gift and an uncle who uses her to commit murder and torture. She doesn’t own her body. She doesn’t own her life.

And then she meets a boy who offers her an out. But that out doesn’t come in the shape of love. What he does is show her that what she sees as the curse that enslaved her, is actually the gift that will free her. She takes that knowledge and uses it to her advance. And when love comes, she refuses to give in to it, because to her, love and marriage go together, and she doesn’t want to belong to anyone but herself.

Heroine Week, Day 5 – The Other Brave Girls of YA by Sarah from Clear Eyes, Full Shelves

I discovered Sarah’s blog last year and immediately became one of my go-to places to find book recommendations, insightful discussions and more recently, a must-listen podcast. Also, her mom is one of her co-bloggers!

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The Other Brave Girls of YA by Sarah from Clear Eyes, Full Shelves

In the young adult fiction universe, there’s a common association with strong characters and their physical strength. I love some of these tough female characters. Katniss’ fierce loyalty to her sister is admirable in The Hunger Games; I loved Cassie’s tenacity and unflinching willingness to do what it takes to survive in The Fifth Wave’s post-apocalyptic world. But, the YA novels that speak most to me are those featuring heroines whose journeys are fraught with internal conflict.

Being a teenage girl is hard, and sometimes the bravest choices aren’t whether to pick a faction a la Divergent’s Tris, but rather the bravest choice is that of living one’s own truth.

This is something that today’s YA authors do very, very well. They acknowledge that growing up is hard; that young people often deal with grown-up problems all alone; that secrets are kept, that lies are told; that family and friendship are often messy. The fictional teen heroines who tackle realistic challenges in YA novels aren’t often labeled as “brave” girls, like Katniss, Cassie and Tris, but in my eyes, they’re the most courageous.

I’ve highlighted twelve (I tried to limit myself to ten, but alas, it wasn’t meant to be) brave heroines from the YAverse whose personal journeys speak to the struggle of finding their path. I’ve actually omitted a few of my favorites, because I think they’re quite well-known already. The Jessica Darling series, for example, is one of my favorites in terms of the messy realism of growing up. The Disreputable History of Frankie Landau Banks is another that’s quite popular which would definitely qualify as a brave YA heroine, the same with multi-award winning author Sara Zarr’s heroines.

Heroine Week, Day 5: Can Romantic Suspense Be Feminist? By Jill Sorenson

One of the reasons why I love Jill’s heroines so much, and this is something I've never had the opportunity to comment on before, is that they know their bodies well and know what gives them pleasure and how to get it. It seems like a silly, inconsequential thing considering how many other virtues her books have, but in a genre where the heroes seem to have all the answers to the heroines’ sexual fulfillment, books like hers always make an impact.

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Can Romantic Suspense Be Feminist? By Jill Sorenson

There have been a number of discussions online about feminism and romance. Some people think the romance genre is inherently feminist because it’s written by women, for women. Others think it’s inherently non-feminist because the heroine finds happiness (and self-worth, perhaps) through her relationship with a man.

Narrowing the genre down into categories further complicates the question. Are some subgenres more feminist than others? Fans of m/m say they enjoy the gender equality and lack of sexism. Paranormal romance readers discuss problematic themes such as “fated mates” and captive heroines. Alpha males run rampant across genre lines.